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Good advice Terfyn...may I add that behind the wheel ( inc. apron I will presume), should be made darker, so the image of the clay stands out. Also, I believe the session can be wet, causing splashes; so using the camcorder on a tripod at a distance is probably a good idea... but beware that HDMI transmission specs are for short cables. (This should suit your set-up, as described).
However, it may be rather boring for the audience watching the same scene-shot for an hour . . . It would be so much better if a second camcorder was recording the Professional,( e.g. giving advice), using a different angle, with a personal tie-clip microphone.
Many projectors have more than 1-HDMI input, so it's possible to switch - but rather "clunky" - so an HDMI-switch would be better - not fully ideal, but v.much more interesting for the audience.
If you wanted to use the recording ( and why not?), you can arrange close-up shots and put them into the Edit as "cutaways" - this makes sure the audience is kept awake at all times.
As making a pot involves "firing", this could be added like "Next Time..." to encourage the audience to watch the next one.
Hope that helps. |
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