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I managed to fit in a couple of visits to guitar shops today on my way back from a job. I tried out a Gibson Melody Maker 2014 model with P90s and also (for reference) an Epiphone LP into a Fender Deluxe 68 Custom. I liked the extra bite the P90s had, but wasn't keen on the neck of the MM (I was later told it would be more like a 50s LP). I also tried a hollowbody Telecaster with P90s, but this was too bassy and again I wasn't keen on the neck (a flatter radius than my Strat or Tele as they are 'vintage' 7.25" radius).
I wasn't mad about the Fender amp either...probably hearesy to say, but I didn't think it sounded much different to my Line 6 Flextone when I've set it up on a Deluxe mode. This was the '68 version which is supposed to distort more readily, however the distortion isn't a master volume type, so it needs to be cranked up for that which wouldn't really be practical for home use. They didn't have the Gibson LP 60s Tribute in stock yet, so I left my details so they could contact me when they get them in, so I left feeling a little disappointed.
I was going to drive home, but since I was in Farnham it wasn't much further to drive to Andertons in Guildford. I had a really good look around at all the guitars and amps, then managed to get a free 'booth' so I took a road worn 50s Strat in and tried the Fender Deluxe 65 model (Blackface) and the VoxAC10 (as someone whisked away the AC15 I'd been intending to try just as I started talking to the sale guy).
This time I was playing a more familiar guitar (though it still felt odd compared to my own Strat), but the Deluxe still just didn't do it for me: I was hoping for a similar rich, but clear/sparkly tone that I remember from when I played through a Blackface Twin reverb many years ago, but it must be rose tinted ears(!) or something as it wasn't how I remember at all. It was actually quite 'hollow' sounding, with too much mid scoop for my taste.
The little AC10 was quite a surprise. All valve, quite small but much warmer sounding than the Deluxe, yet with plenty of treble depending on where I set the tone controls. The benefit with the Vox being that it has a gain control and a master volume, so I could get some crunchy sounds from it. The controls seemed a bit abrupt though, especially the master volume, so it was hard to get the level just right.
By then the AC15 had reappeared, so I had a go with that and did some more back and forth against the Deluxe (which by then must have been feeling a bit sorry for itself as I just didn't like it ). The AC15 has more options with the treble cut control on the master section to trim off the excess top end as required (or not). I could get some nice clean tones out of it (wasn't keen on the reverb, but I have a separate EHX Cathedral pedal anyway), plenty of volume too, so it was barely ticking over in the little 'booth' (sorry to the guy in the next booth along as I think I was drowning him out at times ). However, again the clean tones didn't seem much better than I can get from the Line 6 (which I confirmed when I got home, while it was all fresh in my mind).
Trying the AC15 with a bit more gain and as soon as I hit a power chord it was a instant 'wow' moment. There was a hint of Brian May's tone (of course he doesn't usually play a Strat, but it wasn't far off) and backing off the guitar's volume cleaned it up and just gave a nice crunch tone.
So it seems that I'm searching for a clean tone that I already have in the Line 6. Though I tried the AC15 setting (and read the instructions to make sure I understood how the settings worked) and it sounded pretty similar clean until I used any gain, then it fell apart. I'm slowly realising that maybe I should focus on an amp that does the distortion tones better...
Now I'm wondering if that 18 watt kit is the thing to aim for, but I won't know until it's built then it's too late if I'm wrong. Used kit amps probably don't sell very well either. The other thought is perhaps to get a Vox cabinet with the same Celestion G12 in it as the AC15, then perhaps a Vox Night Train head (the 15 watt version since the small ones have gone now) and then maybe some kind of Marshall head or something else that gives Marshall style overdrive. I did see the handwired Marshall 18 watt 1974X combo and it looked gorgeous, but at £1,700 I couldn't justify the spend. I do wonder if it would cover the clean and the distorted tones though...
I think it was a worthwhile outing as it's cleared up a few thoughts: I saw the 60s Tribute at Andertons and didn't like the look of it, so another guitar is off the menu now. Instead I think I'll fit a P90 to my Affinity Tele and keep it since it's not worth much if I sold it anyway and modding it won't devalue it further.
Instead I'll focus more on the amp side. |
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