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"My god...the wrong man has escaped!"

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4-4-2021 00:05:29 Mobile | Show all posts |Read mode
'After The Fox' probably looks funnier now than when it was first released in 1966. Peter Sellers plays 'Aldo Vanucci', Italy's top criminal mastermind - known as 'The Fox' - and also a master of disguise. When his cronies visit him in jail, he gives them food and magazines. Hearing that his sister Gina ( Britt Ekland, Sellers' wife at the time ) is walking the streets of Rome, he is furious and escapes by switching places with a psychiatrist. It turns out Gina is only making a movie. He wants her to go back to school, but she is determined to become a movie star. She has changed her surname to the more exotic sounding 'Romantica'. A daring bullion robbery has been pulled off in Cairo, and Aldo must help the thieves get the gold into Italy. He decides to trick the townspeople of Sevalio into thinking they are taking part in a movie, and to this end manages to secure the services of fading Hollywood matinée idol 'Tony Powell' ( Victor Mature )...

At times, 'Fox' feels like an Italian version of one of Sellers' earlier British comedies, such as 'Two Way Stretch' and 'The Wrong Arm Of The Law'. Aldo shares many similarities to 'Dodger Lane' and 'Pearly Gates'. Neil Simon's script is not bad - though not among his better efforts - but it needed a director of the calibre of Blake Edwards to make it work. Instead we have Vittorio De Sica, and his heart is just not in it. As 'Vanucci', Sellers is okay, but its when he gets to impersonate eccentric director 'Frederico Fabrizi' ( pointing to his head, he says to Tony: "In here is my script!" ) that the film really starts to becomes funny, with some amusing jibes at the expense of the neo-realism school of cinema ( of which De Sica was a leading exponent ). Giving Sellers competition in the comedy department is Mature, with a highly amusing self parody as a film star who refuses to admit he is over the hill. When he brags to his agent 'Harry' that he is a youthful forty, the man replies: "But your son is thirty-five!".

Another asset is the bouncy Burt Bacharach soundtrack. The catchy theme song was performed by Sellers ( as 'Vanucci' ) and 'The Hollies'. 'Fox' was not a big commercial success, but now seems a decent way to kill 90 minutes, even if it does end with a somewhat uninspired car chase.

The best moment comes in the final scene. Vanucci is on trial ( along with the townspeople of Sevalio ). The film is screened to the jury. It is disjointed, jumpy, with jerky camera work ( just like every major film on release these days ). When it is over, everyone who took part looks embarrassed. A wild-eyed critic, however, proclaims it a masterpiece!

score 8/10

ShadeGrenade 30 October 2011

Reprint: https://www.imdb.com/review/rw2510848/
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