It's not as bad as most people say. I've seen lots worse!

JohnHowardReid

Associate producer: Jaime Jesus Balcazar. Producer: Harry Alan Towers. A Terra Filmkunst (Berlin)/Balcazar Productions (Barcelona)/Italian International (Rome) in association with Towers of London (London) co-production, filmed on locations in Spain and Istanbul. An Anglo- EMI presentation, released through M-G-M. The film was made in 1968. No release dates recorded, but U. S. release would have been in 1970, U.K. around January 1972. No theatrical release in Australia. 8,280 feet. 92 minutes.

SYNOPSIS: By courtesy of stock footage from "A Night To Remember", the bad old doctor sinks a cruise ship. Unfortunately, he runs out of stock footage, and is forced to kidnap a scientist. Very unfortunately, the scientist has a bad ticker. So Fu is also forced to kidnap his doctors. Even more unfortunately, the bungling kidnappers carry out their work under the very nose of Nayland- Smith. This draws Fu's castle hide- out close to discovery. (Available on passable Optimum and excellent Blue Underground DVDs).

NOTES: Although the evil genius vows to return and fight yet another round with Nayland-Smith as the end titles roll, he failed to keep this appointment. "Castle of Fu Manchu" turned out to be the last of the five Lee/Manchu pictures. See my review of "Face of Manchu" for a complete overview of the series.

COMMENT: While admittedly a long way from the peaks of Face, Castle isn't all that bad a picture. Mind you, it starts off very poorly, utilizing scads of obvious stock footage from "Night To Remember". But with the credit titles and their change of scene, the visual aspect of the movie improves dramatically. Indeed the real locations in Spain and exotic Istanbul, are the film's best feature. Away from the garish studio sets, Manuel Merlino's cinematography shines.

The story rates as okay — a few slow passages here and there — and the dubbing (as usual) is none too hot, but the girls are attractive, the locations fresh, and director Franco manages to muster up just enough pictorial pizazz to offset both occasionally inept scripting and all-over dubbing deficiencies — plus a brace of somewhat forced (Marion Crawford particularly) and/or stale (Richard Greene) performances.

score 6/10

JohnHowardReid 8 October 2017

Reprint: https://www.imdb.com/review/rw3826581/