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A better film would no doubt have spent much more time on dissecting what makes the two key protagonists - Welles and media magnate Hearst tick, but RKO281 barely seems to scratch the surface, coming up with only superficial reasons for each character's stubborn intransigence, but this is still a pretty good examination of the story behind the production of what has since come to be widely regarded as the greatest film ever made.
Liev Schreiber lacks the boyish exuberance of the 25-year-old self-proclaimed genius but is adequate in the role and is hampered by a script that refuses to reveal too much about his character beyonds its pertinence to the making of the film. But then, this isn't a biopic about Welles so perhaps it's unfair to be too critical on that score. James Cromwell scores much higher as William Randolph Hearst, a ridiculously wealthy man whose obsession for material things as a way of compensating for his own perceived shortcomings resulted in both his downfall and the release of Welles' classic. The script, after first introducing him as some sort of tyrant (Welles compares him to Hitler in a key speech to the RKO board), eventually becomes more sympathetic towards him. What Hearst tried to do back then is probably no different to what a high-profile individual would attempt now were they discover a film highlighting some of the most intimate aspects of their life - upon which it shines a damning light - would do. Only today, the production would become mired in a sea of lawsuits that would see its release either permanently delayed or held up until the death of the person in question. The two men's encounter in a lift after Welles has emerged seemingly victorious from their scrap does a good job of putting into context the cost of the battle to both of them.
The Marion Davies character, played here by Melanie Griffith, is probably the most sympathetic of the lot. The fact she remained with Hearst until his death a decade after the events depicted in the film suggests there was more to their relationship than the allure of otherwise unattainable wealth and beauty and this is an aspect that the film doesn't overlook.
I don't know how accurate this depiction of the events surrounding the making and release of Citizen Kane are, but it provides a fascinating glimpse behind the scenes nevertheless, neatly placing the events into context with the larger world view of impending war and depression. Definitely worth a look.
score /10
JoeytheBrit 13 December 2008
Reprint: https://www.imdb.com/review/rw1989237/ |
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