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Starpower Couldn't Save It & There's no Indie Charm Either

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19-3-2021 04:48:08 Mobile | Show all posts |Read mode
The one thing I came for was the duo of Side Haig and Ken Foree, but even they couldn't boost it up much. As I learned after the fact, "Brotherhood of Blood" comes from the writers of a masterpiece called "Far Cry" which I recently saw as part of 'that bad?' review series. Not a good coincidence. They also have "Bloodrayne" and "Alone in the Dark" under their belts. This is a movie with very low production values, shabby cinematography, bad lighting, an entire set of flaws. Story's mehh, acting's for the TV, gore's cheap, and so on... Did I just review the whole movie?

We are thrown in a world where vampires are real, and the hunters are also doing their thing. Both parties are going about their business, which is often hard to care about, the plot barely engages, moving from scene to scene with cheese and goofs attracting more attention, and more tedium setting in by the minute. The filmmakers have tried to make it more interesting by splitting time lines in the storytelling, all leading up to the foreseeable connecting finale, but it ultimately adds nothing much, as the plot is still predictable and hard to care about. "Brotherhood of Blood" relishes in its own vampire lore, but barely ever makes it interesting. Acting's really inconsistent, though mostly amusing enough, for a variety of reasons. However, some dialogue is delivered so dry You couldn't believe, and prepare for lines like "we're vampire hunters, not fu**ing accountants". Sid Haig and Ken Foree do their deeds, but it matters little, when we're inside such a C movie.

The lighting and camera work at some points resemble a home video, while at some points it's acceptable enough. Inconsistent, not counting feeling cheap, that endures. Too many zooms, editing can be a bit odd too. Budget constraints can further be seen in the variety and charm of locations, and what the costume department managed to come up with. The musical score's in with the vibe of the whole thing, and is all kinds of overdramatic, typical and/or misplaced.

As to what exactly Sam Raimi liked enough to pick this movie as one of the first releases of his new label back in the day, I'm not sure. Maybe because enough is indeed happening throughout, but perhaps I missed the fun of it all somehow. It's a drab, rather emotionless, inadvertedy funny piece of horror that couldn't be saved be starpower. My rating: 2/10.

score 2/10

TwistedContent 31 January 2021

Reprint: https://www.imdb.com/review/rw6547265/
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