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What this Rudy Ray Moore action-comedy lacks in pace and skill (not like "Human Tornado" was a bastion of mature, professional film-making) it makes up for in sheer sloppy insanity. The grafting of a supernatural thriller onto Moore's usual urban scenario enables some of the funniest, bug-eyed, ethnic performances on record. And the implausibilities are hundred-fold. Whether it be the film's ridiculously costumed demons attacking ghetto toughs with kung-fu, an orgy of she-devils seducing Moore, as he whoops and giggles straight at the camera, ridiculous, feel-good montages, or the film's opening: the arrival of Petey Wheatstraw as a fully developed 9 year old boy, birthed straight out of his mommy's uterus following the discharge of a watermelon, there's plenty to enjoy. Yes, watermelons figure prominently in the movie, almost as much as the black supporting cast's hyper-gesticulating mugging and other raunchy, offensive material--and this doesn't include the sight of Moore's flabby body packed into tight polyester leisure suits, or the man's bare feet. One bad guy, disciplined by an avenging Moore, poops his pants and this sequence is celebrated almost as much as the comedy team antics of Leroy & Skillet, Skillet being a bulbous, muskrat-resembling criminal who weighs at least 600 pounds, most of the weight distributed throughout the ass area. This man's performance is more reason to see the movie than the nudity, doo-doo humor, awful karate fights, and funk score. Still, unlike the infinitely superior "Human Tornado" or even the tighter "Dolemite", what passes for a script here is about the most trampled, dismembered, impossible-to-figure-out, narrative mess, additionally hindered by too many lengthy scenes and abandoned characters. Yet it definitely beats Moore's unwatchable "Disco Godfather". For all the man's commitment to the project, Moore is disappointing, whereas Skillet is the true genius presence of the movie.
score /10
HughBennie-777 1 March 2010
Reprint: https://www.imdb.com/review/rw2214947/ |
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