Never succeeds either as a recreation of Tudor England or as a swashbuckling adventure
The Tudor dynasty has always been popular with makers of dramas based upon English history- we have, for example, "Anne of the Thousand Days", "Mary Queen of Scots", "Lady Jane", "Elizabeth" and the two versions of "A Man for All Seasons". "The Prince and the Pauper" (I will use the British title rather than the American one) falls within this tradition, the main difference being that it is based upon a fictitious story rather than historical fact, even if Mark Twain did try and suggest that his tale was based upon an old legend which may have had a kernel of truth.The idea is that Edward Prince of Wales, the only son of King Henry VIII, has an exact double in Tom Canty, a London street urchin and the son of a notorious thief. The two meet by chance when Tom, fleeing after stealing a purse, manages to break into the Tower of London. Edward, struck by the likeness, suggests that the two should exchange clothes for a joke, but the joke goes wrong when Tom is taken for the real Prince and Edward for a beggar. Edward is thrown out onto the street, leaving Tom behind in the Tower. Both find that they are unable to escape from their predicament; when they try to protest their real identities they are assumed to be mad.
Edward is befriended by Miles Hendon, a soldier of fortune recently returned from the Continent. Although Miles does not really believe Edward's story about being the Prince of Wales, he takes pity on him. When Miles attempts to return to his family home, however, he finds himself in a similar predicament. He finds that his wicked younger brother Hugh has forged a letter purporting to contain news of Miles's death and has used this not only to steal Miles's inheritance but also to marry his sweetheart Edith. Now it is Miles's turn to find that he is not believed when he proclaims his identity. Miles and Edward have to find a way to undo Hugh's wickedness as well as ensuring that the rightful heir is crowned King of England, Henry VIII having died during his son's absence.
The most curious thing about this film is the casting of Mark Lester in the dual role of Tom and Edward. As others have pointed out, Edward VI was only nine years old at the time of his accession, and only sixteen at the time of his death, so it was strange to cast the nineteen-year-old Lester in the role. Moreover, Lester was not convincing in either part, being too obviously well-bred and well-spoken for a Cockney guttersnipe and not regal enough for a Prince. The point of Twain's tale is that Tom, forced to assume the role of King against his will, finds himself growing in authority, whereas the haughty princeling Edward is humanised by his contact with the common people. There was no sense in this film of either of these developments taking place. This was Lester's last film, and it is clear why he joined the long list of child stars who did not go on to an acting career as an adult.
Few of the other acting contributions, with two exceptions, stand out. Raquel Welch, despite her second billing, has very little to do as Edith except stand about looking glamorous, and Rex Harrison as the Duke of Norfolk looks as though he is not taking anything seriously, even being sentenced to death for treason. The two exceptions are Charlton Heston as the ailing, care-worn Henry (very different to the autocratic younger man portrayed by Robert Shaw in "A Man for All Seasons" or Richard Burton in "Anne of the Thousand Days") and Oliver Reed, who makes an attractive Errol Flynn-style hero as Miles. (I have not seen Flynn's own version of this story from 1937, so cannot make comparisons).
Richard Fleischer was a very versatile director who could turn his hand to films in many different genres. His work also varied greatly in quality; he was capable of making a film as good as "Ten Rillington Place" but also one as laughably bad as "Red Sonja". "The Prince and the Pauper" falls somewhere between these two extremes. While never as bad as "Red Sonja" (few films are), it is a rather mediocre film which never succeeds either as a convincing recreation of Tudor England or as a swashbuckling adventure. 5/10
Some goofs. The story is set during the winter of 1546-47; Henry VIII died in January 1547 and Edward VI, as the film informs us, was crowned King in February. The film, however, was clearly shot during the summer months as all the trees are in leaf. Henry states, not long before his death, that he has been on the throne for thirty-five years; he ascended the throne in April 1509, so at this point he would have been king for over thirty-seven years.
score 5/10
JamesHitchcock 16 August 2006
Reprint: https://www.imdb.com/review/rw1449865/35447
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