beesonthebeach Publish time 3-1-2021 11:22:04

Predictable week in, week out tension and shock tactics

How can people be addicted to this rubbish. It's the same old story lines, just mixed up, repeated and revolved, over and over again. I bet the producers have a list that goes something like this . . . argument, divorce, fight, name calling, awkward moment, bankruptcy, pub standoff, family feud, an affair, a car accident, an unwanted person from the past turning up, a troublemaker, a mafia type guy, a bad boy thing happening, a faulty toaster etc . . . I think that The Sun red-top newspaper lovers or The Daily Sport readers in England would probably argue otherwise - but I would guess that they just cycle through a list of tragedies and film a few weeks in advance, because there is redundant cinematography, dogmatic camera angles and filming techniques, plus just the same old list of tragedies cycling week in, week out, with the odd awkward happy moment being used as contrast between the 10 odd tragedies being thrust at us in blocks. I have been forced to watch Eastenders on many a Christmas meal visiting relatives in England. Everybody sits on the sofa at the time of the airing, where electricity is drawn from France as the show is so popular, then in the meantime I am subjected to what is like reading through the Daily Sport's past year back issues whilst witnessing a kind of public execution in originality and taste. It is torture much more arduous than physical forms of torture. It is like watching a chef making instant noodles and everyone clapping and saying "Yay, what a great meal that was!" If I had to sum this show up in a sentence, I'd say that it is 'predictable Daily Sport (red tabloid shock headline) material translated into video'. It has become a parody of Britain's view on negative events as being somehow more 'realistic' than positive events. Other shows are following suit on the revolving tragedy storyline method, and who can blame them as it works, because there are enough people addicted to drama not to see the monotony in it all, such as coronation street and Emmerdale farm have. Again, who can blame them. But really, can't people see the commercial spin of weaving these same old dramatic situations week in, week out? Or is it just me - is it wrong for me to feel bored watching the 127th affair, or 245th family argument or the 1245th shouting match?

score 1/10

beesonthebeach 9 April 2015

Reprint: https://www.imdb.com/review/rw3217277/14531
Pages: [1]
View full version: Predictable week in, week out tension and shock tactics